Several years ago, a movie sailed into theatres and returned
audiences to a world of swashbuckling heroes, damsels in
distress, and pirates. It contained romance, murder,
betrayal, and vengeance. It also introduced us to the
now-infamous Jack Sparrow, whose popularity increased into a
three-part franchise.
Several months after Captain Sparrow's escape from the
hangman's noose, Elizabeth Swann (Keira Knightley) and Will
Turner (Orlando Bloom) plan to be married. Their ceremony is
interrupted by royal officers intending to arrest them for
assisting Sparrow to elude capture. The arrests are really a
farce in an attempt to blackmail Will into obtaining
Sparrow's prized compass in exchange for his fiance's life.
The compass holds greater value than merely a means of
obtaining treasure, and the diabolical Lord Beckett (Tom
Hollander) intends to use it to wield power over the seven
seas. Will's search for Jack Sparrow (Johnny Depp) leads him
further into danger, when he finds the Black Pearl beached
on an island of cannibals. Sparrow promises him the compass
if he can assist him in recovering a key held by Davy Jones
(Bill Nighty) that unlocks a mysterious black chest.
Elizabeth, in the meantime, has secured her escape from
prison and enlists the assistance of ex-commodore James
Norrington (Jack Davenport) in pursuing the Black Pearl and
its precious cargo, little knowing that they will run
abreast of Davy Jones and his band of ghostly crewmen,
eternally condemned to the depths of the sea.
Though containing its moments of absurdity, about midway
through the audience is so enthralled that they can overlook
the mild idiocies of the script. The most enormous downside
to the production is its fast and free playing with the
personalities of its characters. Fans of the original might
be frustrated with some of the changes, which include more
than one selfish betrayal, and the extended humiliation of
Commodore Norrington. It also lacks the heart of the first
production, primarily because it is so intent on providing
battle scenes and harrowing escapes that it overlooks
personality quirks. The thing we loved about the first film
was Jack's cunning, Elizabeth's frustration with corsets,
Norrington's unflinching morality, and Will's reluctant
piracy. We loved the miniscule moments that made the film
fun. They are missing in this production, which goes for
special effects instead.
That being said, it is highly enjoyable on many levels, but
does contain some pagan magic. Jack seeks the counsel of a
creepy Jamaican witch, and she casts lots to point them on
the right path. I did not really appreciate my favorite
character being so demoralized, but the plot was decent and
the sword fighting scenes, when they finally appeared, were
as fantastic as ever. There were some genuinely hilarious
scenes, such as Jack Sparrow attempting to flee through the
jungle tied to a roasting pole, and Elizabeth screaming in
the background about how men always seem to handle things
with violence while Norrington, Sparrow, and Turner are
having a sword-driven disagreement on the beach. The film
did run on a bit too long, but fans will definitely enjoy
it.
Sexual Content:
Innuendo between Jack and Elizabeth, who sensuously kiss;
the crew becomes excited at the thought there might be a
naked female stowaway on board.
Violence:
An extreme amount of battle violence and carnage; an ancient
monster of the deep splits ships in half and consumes their
occupants. Most of the gruesome stuff consists of natives
with horrific body piercings, a man whose face has been
sucked off by the sea monster (leaving a throbbing blob in
its place), severed human toes hung around Jack Sparrow's
neck as part of an ancient ritual, human eyeballs in a jar
in a priestess' hut, and characters being doused with slime.
Jack is believed to be an ancient god trapped in human form;
the natives intend to roast him alive and eat him to set the
god free.