The Moonstone (2016)
Credited with creating the
first professional detective in English literature,
Wilkie Collins kept his readers guessing for months as
to the identity of the person (or persons) who stole a
famous yellow diamond. This splendid miniseries
recreates the same intense curiosity in its audience,
over four and a half hours.
Franklin Blake (Josua Silver)
cannot figure out what happened. A year ago, he had a
good woman's affection, fine prospects, and his extended
family gathered about him in a flourishing country
house. Now, Rachel Verinder (Terenia Edwards) will not
speak to him, he cannot get a missing gemstone out of
his mind, and stands alone outside a vacated home. He
has returned to the scene of former excitement to
recreate a crime…
A year ago, he delivered a
priceless yellow diamond to his cousin, Rachel. Stolen
from a temple in India by her uncle and bequeathed to
her in his will, she fails to understand or appreciate
the danger it presents. Three Indian priests have
tracked it from India, intent to recover it. The next
morning after her birthday party, Rachel found it stolen
from her bureau. Suspects abound in a slew of odd
behaviors from friends, family, and servants alike, as
Blake unravels the mystery alongside the opinionated
Sergent Cuff (John Thomson), and the amiable butler,
Gabriel Betteredge (Leo Wringer).
I stumbled across this on
Amazon Prime the other day and am glad I did. The
earlier adaptation does not have the space this one does
in telling the complete story, so here, the intricacies
and nuances of Wilkie’s tangled plot emerge in a
thoughtful and absorbing adaptation. If you watch it
more than once, you can see the subtle clues (in
glances, behaviors, and hints) woven throughout—but not
so noticeably those experiencing the twists for the
first time would pick up on them. It has nary a dull
moment, and likable or at least memorable characters.
Rachel is a feisty and opinionated heroine, her cousin
Godfrey Ablewhite (Stewart Clarke) unforgettable in his
persistence. And then there is the dreadful Miss Clark
(Sarah Hadland), a troublemaking evangelical… and the
quiet, sorrowful maid Rosanna Spearman (Jane McGrath).
The episode that reveals her story will break your
heart.
Full of exquisite Victorian
costumes, a catchy score with Indian influences, moments
of peril and heartache alike, and with a dramatic twist
near the end, The Moonstone has a bit of
something for everyone who loves a good mystery.
Language:
One use of damned.
Violence:
They find a man dead, smothered. Discussion of murder.
Discussion and implication of a woman's suicide. A man
almost drowns.
Other:
The Evangelical character is a holier-than-thou,
mean-spirited hypocrite.