Wuthering Heights (2000)
At the conclusion of this miniseries one of my
friends turned to me and said, "Somewhere in Yorkshire,
Emily Bronte is rolling over in her grave!" She may very
well be right, for this is a "loose" adaptation at best
of her classic novel about obsession, passion, and
unending torment... on the other hand, it is also the
first version of the story that I have honestly enjoyed
from beginning to end.
The arrival of a gypsy boy to Wuthering Heights sets all
the locals to gossiping about his origins. Taken under
the wing of the compassionate and mild-mannered Mr.
Earnshaw, Heathcliff soon finds a friend in Earnshaw's
daughter Cathy, and a rival in his son Hindley.
Fisticuffs and insults aside, the passionate boy soon
grows into a spirited young man (Tom Hardy). His
friendship with Cathy (Charlotte Riley) has blossomed
into love and the two spend hours together wandering the
moors. One afternoon their return home finds Earnshaw
dead on the floor of his study. This demands the
immediate return of Hindley (Burn Gormon), whose hatred
for Heathcliff transforms into abusive power as he
forces him to maintain the status of a servant in the
house. Determined not to allow this to influence their
relationship, Cathy continues to spend time with him
despite her brother's insistence otherwise -- until one
evening she suffers a fall outside the home of the
Lintons.
Forced to remain with them until her ankle is healed,
Cathy returns much-altered in appearance and character.
Her new preoccupation with fashion and the opinion of
others puts her at odds with Heathcliff, and sets into
motion a series of events that envelope the occupants of
the Heights in Heathcliff's all-consuming desire for
revenge. The novel was rather scandalous when it was
first published and remains to this day a testament to
its kind, for it is about a set of characters more dark
than good. Whether the reader, or in this case the
viewer, is meant to like any of them is never quite
explored, for it is at its most base value, a story
about how obsessive hatred and jealousy destroys lives.
Heathcliff says as much when threatened with damnation,
he retorts that he gave his soul to the devil long ago.
While this adaptation does not stray away from the
morbidity of the book, and sometimes even encourages it
(in one scene, Heathcliff digs up Cathy's remains and
embraces her corpse) the style of filmmaking, the
chemistry of the actors, and the clarity of filmmaking
allow it to be somewhat less depressing than most. The
story remains true to the original in some respects and
veers wildly off course in others; if you are a fan of
the book, there will be things that will frustrate you
to no end and others that you might rather like. That
being said, it remains one of the darker volumes of
literature and is not for the faint of heart. Themes of
jealousy, passion, hatred, and violence are rampant in
spirit if not in depiction. Filmmakers also chose to
incorporate a sexual element that did not really need to
be there and otherwise sours the experience.
One could argue the book and thus the film contains
valuable messages about life, death, and forgiveness. It
is fascinating to contrast the actions of the "good"
characters with the "bad ones," because sometimes we
find the "horrible" Heathcliff more compassionate in
many respects than the gentlemanly Linton. It is also
the only adaptation that has ever brought me to tears at
the conclusion. I would not recommend it to casual fans
of Bronte, but for those willing to overlook its faults,
it may prove a surprisingly impacting experience.
Sexual Content:
There are three scenes of this nature -- the first
consists only of tender kissing and caressing (it
implies Heathcliff and Cathy were "intimate" in their
youth), but the other two are decidedly more graphic and
while clothed, include movement. Both of them are
excruciatingly long. I understand the subliminal meaning
behind each (to contrast Healthcliff and Linton) but
felt it was too much for the film. Preceding the third,
Heathcliff strips his new wife to the waist and looks
her over, but the camera reveals only part of her bare
back.
Language:
There is some mild language.
Violence:
Violence is not prevalent but does include a dog being
beaten (presumably to death) with a rock while it is
attacking someone, and a man having his head bashed
multiple times against a table and then a stone floor.
Heathcliff is beaten by Hindley, first with fists and
then a whip (implied). Blood drenches a bed on which
someone has committed suicide.
Other:
In keeping with the theme of the novel, the ending has a
ghostly twist. Heathcliff claims to have cursed various
people, condemning one of them to walk the moors until
his soul is at rest.